Written responses

  • Unit 2: Positions through contextualising written response

    Annotated Bibliography Extended Critical Analyses


  • Unit 2: Positions through iterating written response

    Part I. Annotated Bibliography Part II. Line of Enquiry My project uses Georges Perec’s method of memory writing as its methodology (Perec, 1997, p.55) : evoking childhood objects and places without reference images, sitting with uncertainty, and forgetting as much as with clarity. Through illustrated fragments, I began exploring personal nostalgia, but the work has…


  • Unit 1: Methods of iterating written response

    First Draft ꄗ This project raised a set of critical questions that emerged directly from the tension between my existing illustration practice and the logic of risograph printing. Coming from a layer-based digital workflow, I am used to flexibility/concealment and reversibility; layers can be hidden, reordered, or overridden, allowing decisions to remain provisional. Working within…


  • Unit 1: Methods of translating written response

    This project re-presents Walter Benjamin’s The Work of Art in the Age of Mechanical Reproduction through the stylistic framework of Raymond Queneau’s Exercises in Style. By rewriting Benjamin’s argument in multiple everyday genres, it performs the very process Benjamin describes: repetition transforming meaning. Each restyling erodes the “aura” of the original text while generating new…


  • Unit 1: Methods of cataloguing written response

    The Sealand chapter of Uncorporate Identity examines the Principality of Sealand as a case study in how statehood and identity can be constituted through external infrastructures rather than political or territorial fact. Situated on a disused sea fort, Sealand lacks formal recognition, governance, and territorial legitimacy, yet it presents itself as a sovereign state through…


  • Unit 1: Methods of investigating written response

    St George’s Gardens is an unassuming park that sits at the crossroads of Greys Inn Road, Sidmouth Street, and Handel Street. It is in a constant state of flux; brisk walkers cut through it, dogs sniff their way around, birds and insects animate the air. It is also a cemetery. This duality unsettled me at…